lele.

Ukulele chord chart

Every chord a beginner needs, drawn finger-by-finger for standard G‑C‑E‑A tuning. Majors, minors, 7ths and a few suspended chords — free, printable, and arranged so you can find what a song asks for in seconds.

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How to read a chord box

Each diagram is the top of your ukulele neck, as if it were standing up in front of you. The four vertical lines are the strings — G C E A from left to right — and the horizontal lines are the frets. The thick bar at the very top is the nut, where the neck meets the head.

● filled dot — press here; the number is which finger ○ open circle — play the string open (don't press) × — don't play this string

Fingers are numbered 1 index, 2 middle, 3 ring, 4 pinky. Press just behind the fret, not on top of the metal, and use the very tips of your fingers so you don't mute the neighbouring string. The short row under each name (like o·o·o·3) is the same shape written as fret numbers, G to A.

First, is your uke in tune?

A soprano, concert or tenor ukulele is tuned G C E A. The quirk worth knowing: that top G is re-entrant — it's tuned higher than the C and E next to it, not lower. That's what gives the ukulele its bright, jangly voice and why the same chord shape sounds fuller than on a guitar. The chord diagrams here assume that standard tuning. If your strings sound sour, the lele tuner plays each reference tone for you to match by ear.

The 10 essentials

Learn these first. Nearly every campfire song lives inside this set, and most of them ask for just one or two fingers.

GCEA3
Co·o·o·3One finger. Ring on the A string, 3rd fret — the friendliest chord on the uke.
GCEA2
Am2·o·o·oOne finger. Middle on the G string, 2nd fret.
GCEA21
F2·o·1·oIndex on the E string 1st fret, middle on the G string 2nd fret.
GCEA132
Go·2·3·2Three fingers making a little triangle: index C, ring E, middle A.
GCEA213
G7o·2·1·2An easier G — same idea but the E string drops to the 1st fret.
GCEA21
A2·1·o·oIndex on the C string 1st fret, middle on the G string 2nd. Bright and open.
GCEA123
D2·2·2·oThree fingers stacked on the 2nd fret (G, C, E). Crowded but quick.
GCEA321
Emo·4·3·2A stretch: index A 2nd, middle E 3rd, ring C 4th.
GCEA231
Dm2·2·1·oIndex E 1st, middle G 2nd, ring C 2nd — a small triangle.
GCEA1
A7o·1·o·oOne finger. Index on the C string, 1st fret.

Major chords

The bright, “happy” chords — the backbone of most songs.

GCEA21
A2·1·o·oA C# E
GCEA4321
B4·3·2·2B D# F# — a barre shape, one of the trickier opens.
GCEA3
Co·o·o·3C E G
GCEA123
D2·2·2·oD F# A
GCEA142
E1·4·o·2E G# B — the easy-fingered version (open E string).
GCEA21
F2·o·1·oF A C
GCEA132
Go·2·3·2G B D
GCEA3211
Bb3·2·1·1Bb D F — partial barre across the bottom two strings.
GCEA231
Ebo·3·3·1Eb G Bb
GCEA3142
Ab5·3·4·3Ab C Eb — up the neck, good to know for keys with flats.

Minor chords

The softer, more wistful cousins. Am and Em turn up constantly in pop.

GCEA2
Am2·o·o·oA C E — the all-time easiest minor.
GCEA4123
Bm4·2·2·2B D F# — barre the 2nd fret, ring on G 4th.
GCEA123
Cmo·3·3·3C Eb G — barre the 3rd fret across C, E and A.
GCEA231
Dm2·2·1·oD F A
GCEA321
Emo·4·3·2E G B
GCEA124
Fm1·o·1·3F Ab C
GCEA231
Gmo·2·3·1G Bb D

Dominant 7th chords

The bluesy, “leaning” chords. A 7th wants to resolve to the chord a fourth above it — G7 → C is the classic.

GCEA1
A7o·1·o·oA C# E G — one finger.
GCEA1324
B72·3·2·2B D# F# A
GCEA1
C7o·o·o·1C E G Bb — one finger, 1st fret A string.
GCEA12
D72·o·2·oTwo fingers, both on the 2nd fret (G and E).
GCEA123
E71·2·o·2E G# B D
GCEA2413
F72·3·1·3F A C Eb
GCEA213
G7o·2·1·2G B D F

Major 7th & minor 7th chords

Mellow, jazzy colour. Am7 is literally all four strings open — your first free chord.

GCEA2
Cmaj7o·o·o·2C E G B — dreamy. One finger, A string 2nd fret.
GCEA1234
Dmaj72·2·2·4D F# A C#
GCEA123
Gmaj7o·2·2·2G B D F# — barre-ish across the 2nd fret.
GCEA12
Amaj71·1·o·oA C# E G#
GCEA
Am7o·o·o·oA C E G — every string open. Strum and you're playing it.
GCEA2314
Dm72·2·1·3D F A C
GCEA12
Em7o·2·o·2E G B D

Suspended chords

Neither major nor minor — they hang in the air. Drop one in just before resolving and it adds a lovely lift.

GCEA12
Csus4o·o·1·3C F G — resolve it back to plain C and listen.
GCEA12
Dsus4o·2·3·oD G A
GCEA13
Asus22·4·o·oA B E — open and airy.
GCEA12
Asus42·2·o·oA D E

Progressions worth knowing

A huge slice of popular music is built from a handful of chord loops. Learn a couple of these and you can busk through songs you've never seen before. The arrows just mean “keep going round.”

C → G → Am → FThe “four-chord song.” Hundreds of pop hits, all in C.
C → Am → F → GThe 50s doo-wop loop — Stand By Me, every slow dance.
Am → F → C → GThe same four chords, started on the minor — instantly moodier.
C → F → G7 → CA I–IV–V turnaround. The bones of blues, folk and most first songs.
C → FJust two chords. Iko Iko, countless campfire tunes.
G → C → DI–IV–V in the key of G — bright and folky.

Want to drill the hand-jump between any two of these? The one-minute change drill in the app times how many clean switches you can make in sixty seconds — the single fastest way to make a progression feel automatic. And once a loop feels solid, point it at a real tune from the easy songs list — or learn the chord progressions behind most songs so you know which shapes tend to go together.

Open the practice app →