Strumming chords is one way to make music; picking out a tune one note at a time is the other. It’s how you play a recognisable melody — the bit people actually hum — rather than the backing. The good news: a melody on the ukulele is just one string, one fret, one note at a time, and most simple tunes never leave the first three frets of two or three strings. This page shows you how to read a single-note tab, where the notes live on the neck, and then walks you through three real songs you can play start to finish.
Every tune below is written as tab — four lines, one per string, drawn as if your ukulele were lying face-up in your lap:
A|------------------- ← bottom string (highest) E|------------------- C|------------------- G|------------------- ← top string (the re-entrant high g)
A number on a line means “press that string at that fret and play it”; 0 means play the string open with no finger. You read left to right, one note after another, like words on a page. So this…
Example: open C string, then 2nd fret, then the open E string — three notes in a row.
A|----------- E|--------0-- C|--0--2----- G|-----------
…says: pluck the C string open (that’s a C), press it at fret 2 and pluck (a D), then pluck the E string open (an E). Three notes, climbing. That’s the whole skill. (If you want the longer version — rhythm, timing dots, hammer-ons — the how to read tabs guide goes deeper; for melodies you only need the fret numbers.)
Before the songs, here’s the map. The melodies below all sit in the key of C, which is the friendliest key on the uke because it uses mostly open strings and low frets. Here is the C major scale — the eight notes Do Re Mi Fa Sol La Ti Do — laid out across three strings:
C major scale — C D E F G A B C, low to high.
A|--------------0--2--3-- E|--------0--1--3-------- C|--0--2----------------- G|-----------------------
C D E F G A B C
You don’t need to memorise this — the tabs spell out every note for you — but it helps to know each tune is built from these few positions. Here they are as a quick lookup:
| Note | String | Fret |
|---|---|---|
| C | C string | 0 (open) |
| D | C string | 2 |
| E | E string | 0 (open) |
| F | E string | 1 |
| G | E string | 3 |
| A | A string | 0 (open) |
| B | A string | 2 |
| C | A string | 3 |
One finger per fret. Use your index for fret 1, middle for fret 2, ring for fret 3. Your hand sits still and each finger already hovers over its own fret, so reaching the next note is a tiny move, not a hand-jump. Every tune below stays within frets 0–3, so this one habit carries you through all three.
The gentlest start: almost the whole tune lives on the C and E strings within two frets, so your hand barely moves. Play it slowly, one note per beat, and say the words in your head to feel the rhythm.
Mary Had a Little Lamb — key of C, one note per beat.
A|----------------------- E|--0-----------0--0--0-- C|-----2--0--2----------- G|-----------------------
Ma-ry had a lit-tle lamb
A|-------------------- E|-----------0--3--3-- C|--2--2--2----------- G|--------------------
lit-tle lamb, lit-tle lamb
A|-------------------------- E|--0-----------0--0--0--0-- C|-----2--0--2-------------- G|--------------------------
Ma-ry had a lit-tle lamb, its
A|----------------- E|--------0-------- C|--2--2-----2--0-- G|-----------------
fleece was white as snow
That’s a whole song in eleven different notes. Once you can play it without stopping, you’ve genuinely learned to read and play a melody.
Beethoven’s famous theme uses the same small patch of fretboard — mostly the C and E strings — and it sounds instantly grand even played slowly. It’s a step-by-step melody (the notes are mostly next-door neighbours), which makes it lovely to play smoothly.
Ode to Joy — Beethoven, key of C.
A|-------------------------- E|--0--0--1--3--3--1--0----- C|-----------------------2-- G|--------------------------
A|----------------------- E|-----------0--0-------- C|--0--0--2--------2--2-- G|-----------------------
A|-------------------------- E|--0--0--1--3--3--1--0----- C|-----------------------2-- G|--------------------------
A|----------------------- E|-----------0----------- C|--0--0--2-----2--0--0-- G|-----------------------
The first and third lines are identical, and the second and fourth are nearly so — so it’s really only two phrases to learn, played twice with different endings. Spotting repeats like this is the quickest way to learn any tune.
This one jumps around a little more — it visits all three lower strings — so it’s the best practice for moving your picking hand between strings cleanly. Same as before: one note per beat, no rush.
Twinkle, Twinkle, Little Star — key of C.
A|--------------0--0----- E|--------3--3--------3-- C|--0--0----------------- G|-----------------------
Twin-kle twin-kle lit-tle star
A|----------------------- E|--1--1--0--0----------- C|--------------2--2--0-- G|-----------------------
how I won-der what you are
A|----------------------- E|--3--3--1--1--0--0----- C|--------------------2-- G|-----------------------
up a-bove the world so high
A|----------------------- E|--3--3--1--1--0--0----- C|--------------------2-- G|-----------------------
like a dia-mond in the sky
A|--------------0--0----- E|--------3--3--------3-- C|--0--0----------------- G|-----------------------
Twin-kle twin-kle lit-tle star
A|----------------------- E|--1--1--0--0----------- C|--------------2--2--0-- G|-----------------------
how I won-der what you are
Notice the first two lines come back at the end unchanged — another repeat to lean on. Play it through a few times and the hand-jumps between strings start to feel automatic.
Play a melody now. Open the practice app, get in tune in ten seconds, then pick out one of these tunes one note at a time. When it flows, try playing it a touch faster.
Single-note melody and chord strumming are the two halves of ukulele playing, and they meet in the middle. Once these tunes feel comfortable, learn the chord shapes and play your first chord song — then you can swap between humming the tune and strumming the backing. Want more single notes? The scales guide shows the patterns that every melody and solo is built from, and the fingerpicking patterns teach your picking hand to play more than one string at once.
Got a tune flowing? Grow it: nail the scales melodies are built from, learn the chord shapes, play your first chord song, and build a habit with the practice guide.