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Dakuten, small kana and long vowels

The basic chart gives you 46 sounds — but Japanese has more than that. The trick is that the extra sounds aren't new characters to learn: they're the same kana with a small mark added, a half-size kana tucked beside them, or a vowel stretched out. Master these four moves and the whole syllabary opens up.

1. The voicing marks: dakuten and handakuten

Two tiny strokes in the top-right corner — the dakuten (also called ten-ten, "dots") — turn an unvoiced sound into its voiced partner. Your mouth makes the same shape; you just switch your voice on. This single mark covers four whole rows of the chart at once.

Dakuten ゛— the voiced rows
BaseVoicedShift
kagak → g
sazas → z
tadat → d
habah → b

The handakuten — a small circle (maru) — is the odd one out. It applies to only the h-row, and instead of voicing it gives you the p sounds:

Handakuten ゜— the p-row (h-row only)
Base+ ゜Shift
hapah → p
hipih → p
fupuf → p

The two near-silent ones. The h-row gives both b and p, which is why is the busiest base kana on the chart. Two voiced kana, (di) and (du), are pronounced exactly like ji and zu and almost never appear — you'll meet them only inside a few words like (tsuzuku, to continue) and (hanaji, nosebleed), where a word stuck two parts together. Default to じ and ず and you'll be right nearly every time.

2. The small combos: yōon (きゃ, しゅ, ちょ)

To write sounds like kya, sho or cho, Japanese takes any kana ending in -i and tacks on a half-size , or . These are called yōon. The crucial thing: the pair is one beat (one mora), not two — the small kana slides into the same syllable.

The same -i kana, plain then combined
-i kana+ ゃ+ ゅ+ ょ
kiきゃkyaきゅkyuきょkyo
shiしゃshaしゅshuしょsho
chiちゃchaちゅchuちょcho
niにゃnyaにゅnyuにょnyo
riりゃryaりゅryuりょryo
jiじゃjaじゅjuじょjo

The same trick works on every -i kana: gives gya/gyu/gyo, gives hya/hyu/hyo, bya, pya, mya. Notice the romaji is tidy — drop the i from the base and add y + vowel — with the sole exceptions of the sh-, ch- and j- rows, which were already irregular on the basic chart.

Big tsu vs little tsu, big yo vs little yo. Size is the whole message. (small ょ) is kyō, "today" — two beats. (full-size よ) is ki-yo-u, three beats, a different word entirely. The small kana sits lower and is noticeably smaller; at small font sizes that's the one thing to train your eye on.

3. The double consonant: small っ (sokuon)

A half-size — a shrunken tsu — is the sokuon, and it has no sound of its own. What it does is double the consonant that follows it, with a tiny held pause, like the catch in the middle of "book-keeper". In romaji you simply write that consonant twice.

Small っ in action
WordRomajiMeaning
がっこうgakkōschool
きってkittepostage stamp
ざっしzasshimagazine
いっぱいippaifull / a lot

That little pause is a real beat. The held silence counts as one full mora, so leaving it out changes the word. is kite ("come"); is kitte ("stamp"). It only ever appears before the k, s, t and p sounds — never before a vowel, n, m, or r — so once you see a small っ you already know a doubled consonant is coming. Katakana uses the same small : is beddo (bed), is koppu (cup).

4. Long vowels: stretching the sound

Holding a vowel for two beats instead of one is the last piece — and again, it changes meaning, so it's not optional. How you write a long vowel depends on the script.

In hiragana — add a vowel kana

You extend a vowel by writing a second vowel kana after it. Four of the five are intuitive; e and o are the ones with a quirk:

How each long vowel is usually written
LongAddExampleReads as
āokāsan · mother
ūkūki · air
īoniisan · big brother
ēsensei → sensē · teacher
ōotōsan · father

So long e is normally written with an (sensei is pronounced sensē), and long o with an (otōsan, gakkō). A short list of words break the rule and double the literal vowel instead — (ōkii, big), (tōi, far), (kōri, ice), and (onēsan, big sister) — and those are simply learned one by one.

In katakana — one bar does it all

Katakana throws the guesswork out. Every long vowel, no matter which one, is written with a single horizontal bar (the chōonpu):

The katakana long bar ー
WordRomajiMeaning
ラーメンrāmenramen
コーヒーkōhīcoffee
セーターsētāsweater
ケーキkēkicake

Length carries meaning. The classic pairs: (obasan, aunt) vs (obāsan, grandmother); (yuki, snow) vs (yūki, courage). One held beat is the whole difference, so the macron (ā ī ū ē ō) in romaji isn't decoration — it's telling you to hold the vowel.

The four moves, together

  1. Dakuten ゛ voices a kana: か→が, さ→ざ, た→だ, は→ば. Handakuten ゜ makes the h-row into p: は→ぱ.
  2. Yōon — any -i kana + small ゃゅょ — gives kya, sha, cho… as a single beat. Watch the size.
  3. Sokuon — small っ — doubles the next consonant and adds a held beat: きって kitte.
  4. Long vowels — add う/い in hiragana (otōsan, sensei) or a ー bar in katakana (rāmen). Always two beats.

It all rests on the basic chart. Every one of these moves is a small change to a kana you already know — so the faster you can read the plain 46, the faster the modified sounds click. The kana typing game shows you a character and asks you to type its romaji against the clock, turning recall into a combo chase, with a mastery tracker that surfaces the kana you keep missing.

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New to the scripts? Start with the hiragana chart & reading guide or the katakana guide. Wondering which script is which? See hiragana vs katakana.